The viewer sees through the eyes of Noah, taken to the end of the world to a place where all seeds are kept safe. He can stand no longer the ordered space in which he is enclosed to live and decides to leave. Outside the world has disappeared under the ice. Poetic metaphor for a state lucid madness, the film suggest the possibility of a world uninhabited and sterile, a white nightmare.
Born in 1981 in Geneva, Pauline Julier graduated from the Institute of Political Studies of Grenoble in 2002 and from the school of Photography of Arles in 2007. She presents some of her films in collective exhibitions and film festivals in Paris (Centre Pompidou) or in Berlin, Zagreb, Basel, Geneva, Lausanne, Lyon, Grenoble. Her movie Pamiec had been published in 2009 to Waknine Editions (http://margueritewaknine.free.fr). She received this year the Swiss Art Award in Art-Basel for the installation of her last film : Noah. She is interested in several complementary mediums of the cinema, and works in particular with PHP (Henriette Desjonquères, Paul Fargues, Pauline Julier), crossover group associated with 104 in Paris this year (www.104.fr). She films and writes to create organizations of real and imaginary elements. Her work questions the narrow and ambiguous connection between reality and fiction and proposes singular narrative forms. |